2.
Framed’
– interface framing through the lens of a comic narrative
(graduation project- BA Illustration)
005a
about
As a narrative work, ‘Framed’, uses/employs structures of
interfaces to highlight and question them. Showing the processes of
framing as an invitation for the viewer to take part in. In highlighting
the structures of panels and gutters of social media interfaces, the
work invites the reader to become implicit in an act of un-do, re-write
and re-framing.
In an act of protest, Judith adheres herself to a courtroom table.
Being sentenced for coercion – it is her act of defiance. As a climate
activist she employs this method to create traction around her. Seeing
peaceful resistance as the only way to create a change around climate
issues. This moment of being stuck offers a moment of contemplation.
Equipped with a phone in her hand, she ventures into the interfaces of
social media, witnessing how her narrative is shaped and distorted by
communication channels online.
In line with the comic work the practice of ‚Active Framing‘ emerged.
A visual line of experimentation that engages with the interface
framing of platforms. This approach attempts to distinguish the frames
from the framed content, or the panels from the story within them. By
doing so, it reveals the process of framing. This method deconstructs
the steps involved in framing and organizing a story into panels. By
providing the reader with a visual map of this deconstruction, the frame
itself is highlighted as an independent element, as having impact and
importance in the narrative.
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